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Editorial Statement
Golden West Magazine is the official publication of Sweet Adelines
International Region 21. The founding and current editor is Karen Laderman
(Harborlites Chorus). Stories and photos
published in
Golden West Magazine are about the people and events of the region. Coverage of regional news
includes the Regional Management Team, choruses, quartets, special programs, educational events, performances,
and, of course, competitions. If it matters to the region and its
membership, it will be in
Golden West
Magazine.
Regular features of the magazine include:
- Regional Management Team Communications
- Chorus and Quartet Updates
- Young Women In Harmony Information
- Regional Calendar
Editorial Calendar 2011-2012
Golden West Magazine is published three times
a year for distribution at Summer Seminar, MusicFest, and
Spring Contest. The publication closes approximately five weeks prior to distribution and all materials are due
approximately one month prior to distribution. Press dates are subject to
change.
| Issue: |
Summer 2011 |
Fall 2011 |
Spring 2012 |
| Space Reservations: |
July 6, 2011 |
October 19, 2011 |
March 27, 2012 |
| Copy/Art Due: |
July 13, 2011 |
October 26, 2011 |
April 3, 2012 |
| Distribution: |
August 5, 2011 |
November 18, 2011 |
April 26, 2012 |
Summer 2011—Results of the Spring Competition, including
other regional contests with Region 21 participants. Distributed at
“Camp Blue Agave” Summer Seminar in Tempe, AZ.
Fall 2011—Highlights from Summer Seminar and Sweet
Adelines International Convention and Competition in Houston, TX. Distributed at
“Make Your Mark” MusicFest in Riverside, CA.
Spring 2012—Year in Review, with a special emphasis on Young Women
in Harmony coverage. Introduction of the new Region 21 Management Team. Distributed at Spring Convention and Competition in Pasadena, CA.
Technical Requirements
Golden West Magazine is a standard magazine-sized publication with varying column layouts. It is printed
“direct to press” at 150 line screen on #100 Gloss Book from an Adobe InDesign for Mac electronic file.
Text Submissions (Including Classified Ads/Love Notes): All text must to be submitted
electronically in the body of an e-mail. DO NOT SEND
ATTACHMENTS for text-only submissions. Indicate the nature of your contribution in the subject line (e.g. Unlimited
quartet submission, RMT column, YWIH Fund update submission, etc.). Send your text-only submissions to the
editor by the copy/art
deadline. Classified ads/love notes payments must also be received by the
copy/art deadline. No classified ad or love note will be printed without payment. Text submissions are
limited to 250 words, are subject
to editing, and will be included at the editor's discretion on a space-available basis. Earlier submissions will
receive preferential treatment in space-available situations. Please include a contact e-mail and phone number
for all text submissions. Chorus columns should indicate the author (who may or may not be the submitting
party). Quartet columns should be “signed” by the quartet members in “tenor, lead, baritone, bass” order. All
other contributors should include their relevant “titles” for each submission.
Photo Submissions: Photo submissions are welcome/encouraged. Please send your photos as electronic
files in .tiff or .jpeg format with a minimum resolution of 300 dpi at no less than 3” wide. Provide the following
identification information: photographer's name, photographer's chorus, event or setting, date, name(s)
and chorus or quartet affiliation of all subjects within the image (working from back to front and left to right).
For example, “Image #2: (from Holly Harmony, Happy Chorus) Ladies from the Happy Chorus work at their
boutique table at 2006 Summer Seminar in Ontario, CA; from left to right: Molly Smith, Molly's mom Mindy
Smith, and Mary Jones, all of the Happy Chorus.” If you do not have full identification information, please
submit your images with as much information as you have. Images will be included at the editor's discretion on
a space-available basis. Hard copy prints are discouraged but may be submitted. If you wish to have your
photos returned, submit them with a SASE.
Artwork/Advertising Submissions: All submitted content (including chorus and quartet
logos and other graphics) must be in CMYK color space with a minimum resolution of 300 dpi at finished size
(see below for finished sizes). Advertisements must be submitted electronically. For best results, send all artwork in CMYK .tiff or .eps file format
with fonts outlined and images embedded. The press-quality .pdf
may be submitted, but if you
choose to submit a .pdf file, quality may not be commensurate with expectations. Please submit artwork via
e-mail to the editor or, if file size makes this impractical,
mail a CD or DVD to Golden West Magazine c/o KAL Publications, Inc. 559 S. Harbor Blvd. Ste.
A, Anaheim, CA 92805. If you need your media returned, please include a SASE.
Advertising Rates and Mechanical Requirements
RATE CARD—Effective May 1, 2011
To place an ad, submit a completed insertion form and payment (make checks payable to “Golden West Region 21”) by the “Space
Reservation” deadline to Golden West Magazine c/o KAL Publications, Inc. 559 S. Harbor Blvd. Ste. A,
Anaheim, CA 92805.
For non-standard size ads, contact the editor for availability and pricing.
| Ad Size (non-cover ads are no trim, no bleed) |
Width” x Height” |
Rate (per issue) |
| Outside Back Cover Full Page* |
7.75” x 10.25” |
$150.00 |
| Inside Cover Full Page* |
7.75” x 10.00” |
$150.00 |
| Full Page |
7.75” x 10.00” |
$100.00 |
| Half Page Horizontal |
7.75” x 5.00” |
$50.00 |
| Half Page Vertical |
3.75” x 10.00” |
$50.00 |
| Half Page Island |
5.00” x 7.75” |
$50.00 |
| Quarter Page Horizontal |
5.00” x 3.75” |
$30.00 |
| Quarter Page Island |
3.75” x 5.00” |
$30.00 |
| Business Card |
3.50” x 2.00” |
$20.00 |
| Love Notes/Classified Ads |
per 25 words |
$5.00 |
*Contact editor for availability; 3-sided bleed available, size ad to 8.5”x11” and add 1/8” trim per side if ad uses bleed.
Questions? Don't hesitate to e-mail or call the editor, Karen Laderman.